By the hand of the ANDALUSIAN CENTER OF THEATRE we confront the challenge of doing a creation about ZENOBIA CAMPRUBI, companion and wife of Juan Ramon Jiménez. In Zenobia, a practically unknown person and not for it lacking in historical and literary importance, there are joined an autobiographical condition, biographical of Juan Ramon itself, a trip notebook and the chronicle of an exile of the Spanish Civil war, always behind an immense literary figure but with an uncertain spirit.
For many people, Zenobia is the most representative case of these women voluntarily in the shade. The image of an intelligent, educated Zenobia, but especially happy and strong, "saviour" of the lost and evaded poet, it started being constructed from her death.
But also we know that this woman, with this very practical sense and opposed to Juan Ramon's ideal life sense, renounces herself in a conscious way to continue next to the poet.